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Michael Cronin
Latest Issue
After Franco
Kasongo Musanga
February/March 2010
From the 1950s until the 1980s, Franco Luambo Makiadi and his TPOK Jazz orchestra profoundly shaped the sound of African music across the continent, and subsequently the popular music of the world through artists such as Paul Simon and Talking Heads. Yet Franco is little known outside Africa and his 1,000 compositions are hardly represented on recordings. Now just over twenty years since Franco’s death in 1989, Kasongo Musanga tells the story of ‘The Sorcerer of the Guitar’, from whose shadow Congolese music is still emerging.
The Master
Tony MacMahon
February/March 2010
'To have crossed his path as a listener was enriching; to have had him as a mentor was unforgettable,' writes Tony MacMahon of the uilleann piper Séamus Ennis. In New York and Dublin in the 1960s, MacMahon lived with, played with and learned from Ennis, and here he recalls some of the rituals and skills of the artist that made him unique.
The Musical Priest
Ciaran Carson
February/March 2010
He was a cantankerous eccentric who stressed that the Irish language and music were inseparable. Richard Henebry should not be forgotten, writes Ciaran Carson
The Resistible Demise of Michael Jackson
Peter Rosser
February/March 2010
The Resistible Demise of Michael Jackson, Edited by Mark Fisher, Zero Books, Hampshire, England
Rethinking Opera
Christopher Fox
February/March 2010
If we want new opera to relate to our twenty-first century experience, we must return to first principles, says Christopher Fox
Don’t Upset the Rhythm
Matthew Jordan
February/March 2010
Innovative music is seen as a moral threat






