Is the NCH embarking on a ground-breaking curatorial experiment by embracing non-classical genres? Nothing could be further from the truth, writes Adrian Smith.
The suicide bombing at Manchester Arena was the second such attack at a music event in two years. What is to be the role of music in this 'age of anger', asks Toner Quinn.
The recent RTÉ Lyric FM three-part radio series on contemporary Irish music had honesty and many good stories, writes Dónal Sarsfield.
Music critic Tim Rutherford-Johnson's new book on modern composition since 1989 covers a massively broad range of creative musical approaches and techniques, writes John McLachlan, and will inspire a new generation.
Five years old this June, The House Presents, a salon-style monthly evening in Dublin's north inner city, is all about drawing out the art that is already around us, writes Anna Murray.
Michael Dervan's new book, 'The Invisible Art: A Century of Music in Ireland 1916–2016', is, like the Composing the Island festival last September, an attempt at addressing the ‘invisibility of composers in Irish life’ – but not all composers, writes Toner Quinn.
What are the philosophy and aims that make Music Generation different? A new report shows how the programme goes beyond simply training future musicians to contributing to the holistic development of children and young people, writes Gwen Moore.
A line has been crossed. Will Irish musicians and composers participate in the new US regime?
In every city, town and village, music groups have a powerful impact within communities, but, asks Ailbhe Kenny, do these groups get the recognition they deserve, and how can state policy support them better?
Trailblazer and standard setter – with Louis Stewart's passing in August, Irish jazz has lost its most iconic figure, writes Ronan Guilfoyle.
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