New Music on the Margins
The 'Music of Our Time' concerts struggle to find an audience on mid-week afternoons. Adrian Smith examines how a lack of regard for new music and a lack of vision impact the series.
Against Resignation: An Interview with Raymond Deane
Is there a lack of solidarity among composers? Will classical music ever become a part of Ireland's national consciousness? And have young Irish composers unwittingly subscribed to a code of musical prohibitions influenced by the US? In a wide-ranging interview, Raymond Deane, whose new opera 'Vagabones' will be premiered in 2019, discusses aesthetics, politics and occasional strokes of good luck with Adrian Smith.
What Does the EU Copyright Vote Mean for Musicians?
Significant new EU directive means 'the platform is responsible and not the uploader'.
'To the heart of communities' – Chamber Choir Ireland Launches New Season
'Main thread is our work with guest directors', says Majella Hollywood of CCI.
Everything Strange
In the world premiere of Jennifer Walshe's 'The Worlding' at the Model in Sligo, her 'Aisteach' project comes alive, writes Toner Quinn.
British Music Criticism and Anti-intellectualism
Mark Fitzgerald reviews a new book edited by Jeremy Dibble and Julian Horton that examines musical criticism in Britain from 1850 to 1950 – including discussions of George Bernard Shaw, Ralph Vaughan Williams, Rosa Newmarch and Edward Dent.
Why was Hamburg the Perfect Fit for the Beatles?
58 years ago this month The Beatles began their legendary residency in Hamburg, but what was it about the German port city that was ideal for their sound? Julia Sneeringer explores the confluence of factors that allowed rock 'n' roll gain a foothold.
Somebody is in Control
The first All Together Now festival took place on 3–5 August on the Curraghmore Estate in Waterford. It's where the new Irish generations come for freedom – or is it order, asks Toner Quinn.
Making the Invisible Visible
The ancient Japanese art form of Noh – comprising music, chant, voice, costume and movement – evokes an 'extreme height of tension', writes Anna Murray, who attended the 'Noh: Reimagined' festival at London’s Kings Place this summer.