Barra Ó Séaghdha
1 February 2011
This is How we Fly express a free-spirited philosophy for group playing in traditional Irish music, while staying within the lines of that tradition.
1 August 2010
Commissioned to compose a work in response to 9/11, John Adams confronted the question: can modern classical music still be the transcendental force we need it to be? by Barra Ó Séaghdha
1 December 2009
In works by Leitch Ritchie and John Beverley Nichols, Barra Ó Séaghdha discovers why Indian music is not serious art – while China and Scotland have problems too.
1 December 2009
Soap & Skin (Anja Plaschg), Button Factory, Dublin, 22 October 2009; Chip Shop Music, Ireland Institute, Dublin, 23 October 2009; Pastures New: Paddy Glackin, Emer Mayock and Donal Siggins, Kevin Barry Room, National Concert Hall, Dublin, 29 October
1 October 2009
Barra Ó Séaghdha finds a disapproving account of paganism and the occult
1 October 2009
Barra Ó Séaghdha asks where the British free jazz movement fits within definitions of jazz
1 August 2009
The opinions of Edward Martyn, founder of the Palestrina Choir
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