Peter Rosser
20 April 2012
Since its invention in the eighteenth century, the string quartet has proved one of the most resilient forms, continuously reinvented and repurposed for changing times. Having just completed a new string quartet of his own, composer Peter Rosser reflects on the medium's consistent allure.
18 January 2012
The twelfth century Benedictine abbess Hildegard von Bingen is celebrated as a visionary composer and writer, inspired directly by God, but there's an alternative history that paints her as an egotistical megalomaniac, for whom music was a means of repression.
17 October 2011
A new collection of essays suggests that Punk is best described as a cultural movement that doesn't move: it is a moment, a punctuation mark, an animal urge, occurring without unity of purpose or logic.
26 July 2011
Musicians need to think carefully about the impact of technology on their music, writes Peter Rosser: they must resist when technology threatens to dehumanise music, to deprive it of its most essential features.
28 June 2011
An unlikely combination of sound-detritus and the craft of composition, the music of Ed Bennett makes strong statements about taking on, and overcoming, our contemporary challenges.
19 May 2011
A double CD entitled Music from Ireland 2011 will be given to the visiting parties of Queen Elizabeth II and President Obama during their state visits to Ireland in May. What does this collection say about contemporary Irish musical life?
1 August 2010
Peter Rosser finds how American folk music revivals have been bound to the country’s social history
1 June 2010
What have music impresarios Sergey Diaghilev, Malcolm McLaren and Simon Cowell got in common? – and what sets them apart? asks Peter Rosser.
1 February 2010
Where did it all go right – and wrong – for Michael Jackson, asks Peter Rosser.
- 1 of 2
- ››
Discussion