August/September 2010

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• IDEAS
• A Portrait of the Artist as a Young Entrepreneur
  Toner Quinn
• Ties that Bind
  Benedict Schlepper-Connolly
• To the Country
  John McLachlan
• The Raw Bar
  Ciaran Carson
• Chuig an Eroctez
  Breandán Ó hEaghra
• FOCUS
• Into the Woods
  Rob Young
• Empty Space
  Barra Ó Séaghdha
• Where is the Underground?
  Stephen Graham
• CRITICISM
• No Reviving What Never Died
  
• REGULAR
• Editorial: Expectation Changes Everything
  
• Shadow Dolls
  

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Hamilton, Hammy

• The Myth of Traditional Music's Popularity
  May/June 2001
• The Many Sides of the Drum
  March/April 2004
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Hannan, Robbie

• Belfast Flute-Playing: The Next Generation
  July/August 2002
• CD Reviews: Séamus Quinn and Gary Hastings
  September/October 2003
• Listen Here, Pipers: Uilleann Pipe Teaching Today
  November/December 2004
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Hayes, Martin

• Tradition and Aspiration
  January/February 2004
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Hederman, Mark Patrick

• Silver on Silver Thrills Itself to Ice
  July/August 2002
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Hegarty, Eoin

• Letters: Musical Constructions of Nationalism
  September/October 2002

Heneghan, Frank

• The MEND Report
  September/October 2002

Higgins, Michael D.

• Surrendering without a Struggle: the Loss of the Public Space in the era of Globalisation
  January/February 2001

Hillier, Paul

• Bare Ruin'd Choirs
  June/July 2009
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Hogan, Mary

• Letters: A Cracking Issue
  January/February 2006

Holstead, Rachel

• Live Reviews: Composers' Choice – Elaine Agnew
  May/June 2003
• Live Reviews: BSc Music Technology Showcase
  July/August 2003
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Hunt, Una

• The Little Ponies that Beat the Mare: Thomas Moore and his Irish Melodies
  January/February 2008
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