Trading Licks The Saturday night double-header at the Spike cello festival featured traditional musicians Liam O’Connor and Cormac Begley with Cello Ireland, and free improviser Ernst Reijseger – a night that went from Irish slow airs to musical comedy. James Camien McGuiggan reviews.
Why We Need to Transform Our Orchestras – and How We Can Do It Orchestras are leaving too many people behind and failing to deliver on their extraordinary promise, writes Brian Irvine. The way towards transformation – and to create genuinely fresh sounds – is to involve new people in new ways.
Looking for a Link Among Irish Composers Tim Diovanni reviews a concert of works by Stanford, Buckley and Boyle performed by the RTÉ National Symphony Orchestra – a rare and interesting mix, but did it work?
'Irish history... [is] so apt for what's happening now': An Interview with Lauren Kinsella Ahead of the premiere of 'Famished' with poet Cherry Smyth and composer Ed Bennett, singer and composer Lauren Kinsella speaks to The Journal of Music about improvisation, contemporary social crises and the stage as a space for conversations.
A Voice for Dark Nights Lankum singer Radie Peat's solo performances revolve around the dark spectrum of folk music. Anna Murray reviews her recent set at Temple Bar TradFest.
Last Songs and Final Fugues Music for Galway's Midwinter Festival explored a range of works written at the end of composers' lives. Jake Morgan reviews performances from Finghin Collins, ConTempo Quartet, Ailish Tynan and more.
When Everything Breathes: An Interview with Peter Broderick Composer, singer, violinist, pianist, Peter Broderick draws on many strands for his music, his work connecting with audiences across the world. Currently living in Galway, Broderick spoke to The Journal of Music about his compositions and lyrics, his musical background in Oregon and the impact of the internet on his career.
More to Unite Than Divide The latest concert in the Female Composers Series at the NCH featured works by composers of the Belle Époque – from Lili Boulanger to Mélanie Bonis – illuminating our understanding of the music of the period, writes Adrian Smith.
‘What you say when you look at the world’: An Interview with Radie Peat and Daragh Lynch of Lankum Behind Lankum's politically aware folk is a subtle mix of influences. After a major year for the band, and ahead of a European tour, Radie Peat and Daragh Lynch speak to The Journal of Music about the punk ethos, the importance of sessions and their evolving musical interests.
New Voices Singing Women's Stories Last week, the RIAM presented an Irish opera premiere and TU Dublin Conservatoire presented a Baroque opera double bill, featuring a range of emerging artists. Brendan Finan reviews.