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Live Reviews: Galway Early Music Festival: The Irish Consort / Red Priest Fred Johnston The Life and Times of Grace O’Malley, the 16th Century-Century Irish Pirate Queen Augustinian Church, Galway, 17 May 2007Pirates of the BaroqueSt Nicholas Collegiate Church, Galway, 18 May 2007 In spite of the Arts Council’s mind-numbingly culture-killing...
Tom Munnelly at the Willie Clancy Summer School, Miltown Malbay, Clare, 1980 Tom Munnelly at the Willie Clancy Summer School, Miltown Malbay, Clare, 1980 Images from the Irish Traditional Music Archive Traditional-song collector Tom Munnelly (second, left) with Clare traditional singers Tom Lenihan, Miltown Malbay; Kate Droney, Ballyvaughan; Martin Reidy, Connolly; and Michael ‘Straighty’ Flanagan, Inagh, at the Willie Clancy Summer School, Miltown...
Ní ón ngaoth a fuair sé é: Aloys Fleischmann, 1910–92 Ní ón ngaoth a fuair sé é: Aloys Fleischmann, 1910–92 Mícheál Ó Súilleabháin Mícheál Ó Súilleabháin reviews a biography of the composer Aloys Fleischmann and remembers a seminal figure in Irish musical life.
Past, Present and Future of an English Patriot Past, Present and Future of an English Patriot Carlo Gébler Carlo Gébler reads Billy Bragg's new polemic.
How to compose in your own time John McLachlan We might as well start by stating that this article will not provide any solution to the problem of how to compose in your own historical time. Like an academic character from a David Lodge novel it will instead, ‘merely seek to raise some interesting...
His Pencil Poised... His Pencil Poised... Peter Woods One hundred years after the publication of The Dance Music of Ireland. 1001 Gems…, Caoimhín Mac Aoidh's book on James O'Neill throws new light on the O'Neill collections.
Colour on all sides Barra Ó Séaghdha A review of the recent RTÉ Living Music Festival which focused on jazz and the music of American composer John Adams.
myTunes and i myTunes and i Toner Quinn On tunes and musicians' relationships to tunes.
Musical Texts of the Elites Barra Ó Séaghdha Barra Ó Séaghdha finds much to debate in a recent work on music and Irish identity.

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