A Love of Music Making Leonard Bernstein represents the ultimate musician, from writing 'West Side Story' through to presenting a series of Harvard music lectures, to his conducting and performances as a pianist – he showed us that music is a thoroughly holistic affair. In this essay, Benjamin Dwyer explores the American icon’s life, work, political affiliations and achievements.
Memory Flow Founded in 2012, composer Dave Flynn's Irish Memory Orchestra features classical and traditional musicians who play completely by memory. In their latest tour, performing in Ennis, Cork and Kilkenny, they were joined by soloist Máirtín O'Connor. Ian Bascombe reviews.
A New Edge to the West The Galway Jazz Festival has a new momentum and was bigger again this year – Toner Quinn attended a mix of concerts, from the Radio String Quartet to Peter Broderick, plus a debate on Brexit.
New Music on the Margins The 'Music of Our Time' concerts struggle to find an audience on mid-week afternoons. Adrian Smith examines how a lack of regard for new music and a lack of vision impact the series.
The Challenge to the Gaeltacht Remains ‘Aisling?’, a new show of music, song, dance and literature directed by Darach Mac Con Iomaire and commissioned by Ealaín na Gaeltachta, was presented as a central part of ‘Bliain na Gaeilge’ – a year-long celebration of the Irish language. Barra Ó Séaghdha reviews its Dublin premiere.
Emotional Openness Ólafur Arnalds wrote his most recent album with the input of a live generative system, but how do these ghostly player pianos work in concert? Anna Murray reviews his recent concert at the National Concert Hall.
Against Resignation: An Interview with Raymond Deane Is there a lack of solidarity among composers? Will classical music ever become a part of Ireland's national consciousness? And have young Irish composers unwittingly subscribed to a code of musical prohibitions influenced by the US? In a wide-ranging interview, Raymond Deane, whose new opera 'Vagabones' will be premiered in 2019, discusses aesthetics, politics and occasional strokes of good luck with Adrian Smith.
Experiments in Musical Language The 2018 edition of New Music Dublin featured two ambitious concertos by Unsuk Chin and Kevin Volans exploring the language of the traditional sheng from China and the Irish uilleann pipes. Brendan Finan reviews.
Shocking Invention In the first concert of their Music Network tour, Maighread Ní Dhomhnaill, Máirtín O'Connor and Séamie O'Dowd moved between playfulness and finesse, writes Anna Murray.
On Risk and Restraint Adrian Smith reviews the opening concert of the Irish Chamber Orchestra's 2018/19 season, conducted by French conductor Jean-Christophe Spinosi and featuring a new work by Sam Perkin.