Making the Invisible Visible The ancient Japanese art form of Noh – comprising music, chant, voice, costume and movement – evokes an 'extreme height of tension', writes Anna Murray, who attended the 'Noh: Reimagined' festival at London’s Kings Place this summer.
Remembering Tommy Peoples A tribute to the great Irish fiddle-player who died on 3 August.
The Nature of Protest Created by students from the University of Cape Town, 'The Fall', which was performed at the Galway International Arts Festival, marshals the power of protest song and dance to explore discrimination in all its forms. Vincent Hughes reviews.
How Musicians Can Start to Afford Ireland Singer-songwriter David Kitt is leaving Ireland because of the housing situation, and music writer and DJ Nialler9 is 'stressed and broken' by it. Boom after bust after boom, the lot of the Irish musician never seems to change. There is a way to change this, writes Toner Quinn.
Adventurous Spirit Irish National Opera continues to experiment and excite with a production of Gluck's 'Orfeo ed Euridice' in Galway and a spectacular performance by Sharon Carty, writes Toner Quinn.
Following the Logic of Dreams Collaboration is at the heart of Seán Mac Erlaine's third album on the Ergodos label, in which patterns and textures shift subtly and constantly. Brendan Finan reviews.
Sever the Ties That Bind Hilary Woods' 'Colt' is permeated with desolation, tension and intimacy, with moments that would sound at home in Twin Peaks. Vincent Hughes reviews.
Challenging Heights Composer Ed Bennett's latest release with his ensemble Decibel has just the right number of swerves and asymmetries, writes John McLachlan.
Words, Music and the Surrounding Silence Mark Fitzgerald reviews the first Beckett Chamber Music Series, which took place at the Smock Alley Theatre, Dublin, on 24, 27 and 30 June.
Interweaving Lines What is the common heritage between traditional Irish tunes and Baroque dances? Adrian Scahill reviews a new recording on the RTÉ Lyric FM label.