Balfe's 'Sleeping Queen' Returns to Dublin Michael William Balfe's 1864 work 'The Sleeping Queen' was his only operetta and written for surprisingly small forces. Una Hunt tells the story of the work ahead of its performance at the NCH – the first staging in Dublin in modern times.
Sever the Ties That Bind Hilary Woods' 'Colt' is permeated with desolation, tension and intimacy, with moments that would sound at home in Twin Peaks. Vincent Hughes reviews.
Challenging Heights Composer Ed Bennett's latest release with his ensemble Decibel has just the right number of swerves and asymmetries, writes John McLachlan.
What Does the New Irish-Language Plan Mean for Music? Five-year plan promises new funding for the arts.
Words, Music and the Surrounding Silence Mark Fitzgerald reviews the first Beckett Chamber Music Series, which took place at the Smock Alley Theatre, Dublin, on 24, 27 and 30 June.
Interweaving Lines What is the common heritage between traditional Irish tunes and Baroque dances? Adrian Scahill reviews a new recording on the RTÉ Lyric FM label.
Together Never Fails From Rebecca Saunders and Séverine Ballon to Gavin Bryars and Galina Grigorjeva, the music at The Book of Hours two-day festival in Louth knew no borders, writes Brendan Finan.
Uncommon Roscommon 'The Golden Cassette', a recording of work by prolific outsider artist Caoimhín Breathnach, includes his subliminal tapes, which he subjected to odd physical processes, from burning them to screening kung fu films for them. The experience of listening goes beyond the music, writes Brendan Finan.
Once Was Dust Exploring scientific theory, natural phenomena and human behaviour, 'In Clouds' is a new collaborative performance directed by composer Peter Power. Commissioned by Cork Midsummer Festival and Triskel Arts Centre to mark 40 years of the venue, the work was performed on 15 June. Don O'Mahony reviews.
Honesty and Vulnerability Chamber Choir Ireland, conducted by Nicolas Fink, created a programme of sacred but intensely personal music with Between Us. Anna Murray reviews their performance at Hugh Lane Gallery.