Undeniable Craft Brendan Finan finds self-assurance and careful design in this new collection of Bill Whelan's orchestral works, released on the RTÉ Lyric FM label.
Is Music the Glue That Will Get Us Through? When we have instant access to every piece of music that we love, anywhere and anytime, something profound has happened, writes Toner Quinn.
Pointing Towards the Future Belfast harper Úna Monaghan's new album is a surprising – sometimes startling – mix of traditional music material and electronics, writes Anna Murray.
From Broken Dream to Musical Healing Adrian Scahill reviews 'Aisling Ghéar', a stark and unflinching new documentary on the concertina player Noel Hill.
Liam O’Flynn: An Appreciation A tribute to the great uilleann piper who died on 14 March.
Opera for Our Time Adrian Smith reads Adès’s 'Powder Her Face' as a story of female empowerment and upper-class complacency in the very promising first production from Irish National Opera.
What Does Brexit Mean for Music? For those who make music, Brexit must surely mean resistance, writes composer Christopher Fox.
Hear the Water Naomi Berrill's new album is an ode to sea, using cello and vocals to conjure up its sounds. Julie Seagrave – in her second review as part of the Journal of Music/Galway City Council Music Writer Mentoring Scheme – hears undercurrents, unexpected pulls and more.
Room for Everyone In the final review from our Journal of Music/Clare County Council Music Writer Mentoring Scheme, Deirdre Clare writes about the latest recording from one of Clare's most renowned traditional musicians.
Leaving Nothing Behind Music by Simon O'Connor, John McLachlan, Piazzolla and the Conor Guilfoyle Octet – more variegated works would be hard to find, writes Brendan Finan about Kaleidoscope's spring event which took place earlier this month.