Chris Wood is an uncompromising writer whose music reveals his love for the un-official history of the English speaking people. With gentle intelligence he weaves the tradition with his own contemporary parables.

A self-taught musician, composer and song writer, Chris is a lifelong autodidact whose independent streak shines through everything he does. Always direct and unafraid to speak his mind, his song writing has been praised for its surgical clarity. He cites his major influence as “Anon”.

His eagerly awaited new album ‘So Much to Defend’ (officially released 27th Jan 2017) was previewed at Cambridge Folk Festival last summer and includes reflections on minor league football, empty nest syndrome, learning to swim, Cook-in Sauce and, not least, the Gecko as a metaphor for contemporary society. 

Hollow Point; his chilling ballad of the shooting of Jean Charles Menezez, won a BBC Folk Award (he’s won six.) and emphatically secured Wood’s place as a serious speech-master for the unofficial history of England. 

Collaborators include Martin Carthy, Dizraeli, Billy Bragg, Andy Cutting, Andy Irvine, Karine Polwart, Jean Francois Vrod, The Imagined Village, Hugh Lupton, Martin Butler and many others.  

On stage Chris has the air of a craftsman who no longer needs to be precious about his art. Without any apparent effort he reaches deep into an enviable repertoire of songs before revealing another gem. 

 “… at art school they said I had a remarkable eye for trivia, like it was a bad thing.”

Praise for ‘So Much to Defend’:

fROOTS MAGAZINE

“Chris Wood might be the Ken Loach of songwriting. Very political, but at the same time full of compassion, and he grows sharper and more acute with each passing album. He’s good, quite probably the very best we have today, and we

need him more than ever.