Irish National Opera continues to experiment and excite with a production of Gluck's 'Orfeo ed Euridice' in Galway and a spectacular performance by Sharon Carty, writes Toner Quinn.
Created by students from the University of Cape Town, 'The Fall', which was performed at the Galway International Arts Festival, marshals the power of protest song and dance to explore discrimination in all its forms. Vincent Hughes reviews.
Collaboration is at the heart of Seán Mac Erlaine's third album on the Ergodos label, in which patterns and textures shift subtly and constantly. Brendan Finan reviews.
Hilary Woods' 'Colt' is permeated with desolation, tension and intimacy, with moments that would sound at home in Twin Peaks. Vincent Hughes reviews.
Composer Ed Bennett's latest release with his ensemble Decibel has just the right number of swerves and asymmetries, writes John McLachlan.
Mark Fitzgerald reviews the first Beckett Chamber Music Series, which took place at the Smock Alley Theatre, Dublin, on 24, 27 and 30 June.
What is the common heritage between traditional Irish tunes and Baroque dances? Adrian Scahill reviews a new recording on the RTÉ Lyric FM label.
'The Golden Cassette', a recording of work by prolific outsider artist Caoimhín Breathnach, includes his subliminal tapes, which he subjected to odd physical processes, from burning them to screening kung fu films for them. The experience of listening goes beyond the music, writes Brendan Finan.
Exploring scientific theory, natural phenomena and human behaviour, 'In Clouds' is a new collaborative performance directed by composer Peter Power. Commissioned by Cork Midsummer Festival and Triskel Arts Centre to mark 40 years of the venue, the work was performed on 15 June. Don O'Mahony reviews.
Chamber Choir Ireland, conducted by Nicolas Fink, created a programme of sacred but intensely personal music with Between Us. Anna Murray reviews their performance at Hugh Lane Gallery.