The 4th Tradition Now festival took place at the NCH at the end of October. Anna Murray reviews a new work for Iarla Ó Lionáird and a performance of Sam Perkin's 'Pause' based on the song 'The Foggy Dew'.
Yvonne Casey's second solo fiddle album 'Croí' displays a very individual and developed style, writes Adrian Scahill.
In a raw and discomfiting experience at the MAC in Belfast, Josette Bushell-Mingo explored the political and musical legacy of Nina Simone, writes Laura Watson.
Irish National Opera presented the Irish staged premiere of Bartók's 'Bluebeard’s Castle' on 12–14 October, with its luminous music and dark folk-tale of castle doors revealing the inner world of the protagonist. The production came with a twist, however, writes Adrian Smith.
Founded in 2012, composer Dave Flynn's Irish Memory Orchestra features classical and traditional musicians who play completely by memory. In their latest tour, performing in Ennis, Cork and Kilkenny, they were joined by soloist Máirtín O'Connor. Ian Bascombe reviews.
The Galway Jazz Festival has a new momentum and was bigger again this year – Toner Quinn attended a mix of concerts, from the Radio String Quartet to Peter Broderick, plus a debate on Brexit.
‘Aisling?’, a new show of music, song, dance and literature directed by Darach Mac Con Iomaire and commissioned by Ealaín na Gaeltachta, was presented as a central part of ‘Bliain na Gaeilge’ – a year-long celebration of the Irish language. Barra Ó Séaghdha reviews its Dublin premiere.
Ólafur Arnalds wrote his most recent album with the input of a live generative system, but how do these ghostly player pianos work in concert? Anna Murray reviews his recent concert at the National Concert Hall.
The 2018 edition of New Music Dublin featured two ambitious concertos by Unsuk Chin and Kevin Volans exploring the language of the traditional sheng from China and the Irish uilleann pipes. Brendan Finan reviews.
Adrian Smith reviews the opening concert of the Irish Chamber Orchestra's 2018/19 season, conducted by French conductor Jean-Christophe Spinosi and featuring a new work by Sam Perkin.