Brendan Finan reviews a recent staging of Michael William Balfe's 'The Sleeping Queen' – the second Irish opera revival in recent months.
In the latest piece from our County Clare Music Writer Mentoring Scheme, Ian Bascombe reviews the new recording from harper Floriane Blancke.
Far from a standard musical biopic, Pat Collins's film on sean-nós singer Joe Heaney, 'Song of Granite', explores the world of the wandering artist through sound and place, writes Anna Murray.
In his second review as part of the Journal of Music/Galway City Council Music Writer Mentoring Scheme, Vincent Hughes reviews the RTÉ Choice Music Prize nominated album 'Wild Alee' by Talos and attends their recent performance at the Róisín Dubh.
How does a 95-year-old International Society for Contemporary Music shake up its programming? Anna Murray attended the ISCM World New Music Days festival in Vancouver and heard how new ideas can take effect.
Liam Cagney explores 'Umbilical', composer Benjamin Dwyer's retelling of Oedipus, recently released on Diatribe Records.
Crash Ensemble celebrated 20 years with two nights at the National Concert Hall in November. Adrian Smith reviews all twenty newly commissioned works, from composers Andrew Hamilton, Ann Cleare, Jennifer Walshe, Sean Clancy and many more.
In the latest review from our Journal of Music/Galway City Council Music Writer Mentoring Scheme, Julie Seagrave hears the songs and stories of Loah at the Galway International Arts Festival.
Accordion player Johnny Óg Connolly's album of original compositions has a range of inspirations, from musician friends to classical traditions, writes Adrian Scahill.
Opera could use more moments like this, particularly in Ireland, writes Brendan Finan about the recent performance of Robert O'Dwyer's Irish-language work 'Eithne', but what about the music?