Hilary Woods' 'Colt' is permeated with desolation, tension and intimacy, with moments that would sound at home in Twin Peaks. Vincent Hughes reviews.
Composer Ed Bennett's latest release with his ensemble Decibel has just the right number of swerves and asymmetries, writes John McLachlan.
Mark Fitzgerald reviews the first Beckett Chamber Music Series, which took place at the Smock Alley Theatre, Dublin, on 24, 27 and 30 June.
What is the common heritage between traditional Irish tunes and Baroque dances? Adrian Scahill reviews a new recording on the RTÉ Lyric FM label.
'The Golden Cassette', a recording of work by prolific outsider artist Caoimhín Breathnach, includes his subliminal tapes, which he subjected to odd physical processes, from burning them to screening kung fu films for them. The experience of listening goes beyond the music, writes Brendan Finan.
Exploring scientific theory, natural phenomena and human behaviour, 'In Clouds' is a new collaborative performance directed by composer Peter Power. Commissioned by Cork Midsummer Festival and Triskel Arts Centre to mark 40 years of the venue, the work was performed on 15 June. Don O'Mahony reviews.
Chamber Choir Ireland, conducted by Nicolas Fink, created a programme of sacred but intensely personal music with Between Us. Anna Murray reviews their performance at Hugh Lane Gallery.
As he tours, experimental vocalist Damo Suzuki creates ad hoc bands, formed only for each performance. In Dublin and Cork, he gathered a rare mix of artists from the Irish indie and improvisation scenes – Anna Murray reviews.
The debut album from The High Seas trio contains feverish music and some classic moments, writes Toner Quinn.
At this year's Drogheda Arts Festival, Louth Contemporary Music Society presented a spectralist work from the 1970s alongside a postminimalist one from the last decade and a series of techno-inspired shorts. Brendan Finan finds the connections.