Tracing connections between North African and Celtic culture.
September/October 2002
RTÉ's First RTÉ Living Music Festival
A preview by Artistic Director Raymond Deane of the first RTÉ Living Music Festival on 2-27 October, 2002, at the Helix, Dublin 9, with Featured Composer Luciano Berio.
Songs of Irish Rebellion
A review of the re-issued Songs of Irish Rebellion: Irish Political Street Ballads and Rebel Songs, 1780-1900, by Georges Denis Zimmermann.
Funding for Opera and The Arts Plan
The huge cost of old operas limits funding for every other music activity in this country, argues composer Roger Doyle.
The MEND Report
What next for Irish music education?
Live Reviews: Ronan Guilfoyle's Concerto for Piano and Orchestra
Ronan Guilfoyle’s Concerto for Piano and Orchestra, with Conor Linehan (piano) and the RTÉ Concert Orchestra (Laurent Wagner, conductor) on 16 August 2002.
Why Séamus?
Séamus Ennis, Traditional Music, and Irish Cultural History.
Editorial: Confidence ill-defined
Barra Ó Cinnéide's new book, Riverdance: The Phenomenon, presents a market idea of self-confidence – 'now you have it – now you don't'.
The Critic? Who Cares?
The Role of the Classical Music Critic in Ireland.
Letters: Look Who's Talking!
Dear Editor,Like Barra Ó Séaghdha, I too lament the demise of Fintan Vallely’s excellent traditional music column in the Sunday Tribune. However, I might point out that there’s still a dedicated space (albeit an increasingly small...
Letters: Look Who's Talking!
Dear Editor,There was always an old journalists’ pact that dog doesn’t eat dog and I am sorry to see that this has not penetrated to your journal. However, if Mr Barra Ó Séaghdha wishes to criticise other writers, he should first...
Letters: Musical Constructions of Nationalism
Dear Editor,Axel Klein’s letter in the last edition of the JMI, which censures both the manner and force of Patrick Zuk’s review of Musical Constructions of Nationalism, struck me as being distinctly odd.
Letters: Musical Constructions of Nationalism
Dear Editor,In his letter to the last issue of the JMI, Axel Klein does not address a single point in Patrick Zuk’s review of Musical Constructions of Nationalism.
Letters: Musical Constructions of Nationalism
Dear Editor,I was intrigued by Axel Klein's response to Patrick Zuk's review of Harry White’s writings on music and nationalism. It is noteworthy that Dr Klein does not take issue with any specific point raised by Zuk.
Letters: Musical Constructions of Nationalism
Dear Editor,Given how pertinent the issue of nationalism is for all who are interested in Irish cultural life, a lively discussion in these pages on the subject would have been welcome in the wake of my recent review of Musical Construction





