Seventy years after the release of Citizen Kane, George Rafael looks at the close, if often tempestous, relationship between the film's director, Orson Welles, and its composer, Bernard Herrmann – and how they changed the way filmmaker

Commissioned to compose a work in response to 9/11, John Adams confronted the question: can modern classical music still be the transcendental force we need it to be? by Barra Ó Séaghdha