A new biography of Olive Smith, written by her daughter, the musician Gillian Smith, provides an insight into the progressive changes in classical music in Ireland in the twentieth century, writes Hazel Farrell.
‘I wanted them all to be a contribution to the Scottish traditional music canon’: An interview with fiddle-player Aidan O’Rourke
Scottish fiddle-player Aidan O’Rourke, a member of the groundbreaking band Lau, has just released his fifth solo album, '365: Volume 2', part of a huge volume of compositions written in response to stories by James Robertson. O’Rourke spoke to the Journal of Music about his music and composing and how his latest project is about ‘coming back to traditional music’.
The achievements of Ireland's composers abroad are not getting enough attention at home.
Cork Midsummer Festival on 19–22 June featured an ambitious new work by composer Karen Power featuring vocalists Ute Wassermann and Michelle O’Rourke, the Quiet Music Ensemble and a specially formed sound choir. Don O'Mahony reviews.
Louth Contemporary Music Society's festival focussed on the work of Kaija Saariaho this year (21–22 June), with the composer in attendance. Brendan Finan reviews.
The New Irish Jazz Orchestra directed by Paul Dunlea recently collaborated with fiddle-player Martin Hayes for a concert at the Curtis Auditorium in Cork (16 June). Don O'Mahony reviews.
Other Voices took place in Belfast at the weekend, accompanied by a number of discussions on borders, cultural breakthroughs and the redemptive power of music, writes Toner Quinn.
Next week at the Cork Midsummer Festival, Sō Percussion will give the European premiere of Donnacha Dennehy’s ‘Broken Unison’, a co-commission between Carnegie Hall and Cork Opera House. The Journal of Music spoke to the Irish composer, who now lives in the States, about his music, his life in America and what drives his work.
The great traditional Irish fiddle-player and composer Paddy Fahey died at the weekend. The Journal of Music spoke to musicians Martin Hayes, Liz Kane and Breda and Claire Keville about his music and legacy.
The EU’s 'Work Plan for Culture 2019–22' is likely to shape support for the arts and music in the coming years, but what does it contain?
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