Lose Myself in this World
Cork Midsummer Festival on 19–22 June featured an ambitious new work by composer Karen Power featuring vocalists Ute Wassermann and Michelle O’Rourke, the Quiet Music Ensemble and a specially formed sound choir. Don O'Mahony reviews.
To See the Changing Light
Louth Contemporary Music Society's festival focussed on the work of Kaija Saariaho this year (21–22 June), with the composer in attendance. Brendan Finan reviews.
An Exchange in the Truest Sense
The New Irish Jazz Orchestra directed by Paul Dunlea recently collaborated with fiddle-player Martin Hayes for a concert at the Curtis Auditorium in Cork (16 June). Don O'Mahony reviews.
Generation Borderless
Other Voices took place in Belfast at the weekend, accompanied by a number of discussions on borders, cultural breakthroughs and the redemptive power of music, writes Toner Quinn.
‘It has been this burst of energy’: An Interview with Donnacha Dennehy
Next week at the Cork Midsummer Festival, Sō Percussion will give the European premiere of Donnacha Dennehy’s ‘Broken Unison’, a co-commission between Carnegie Hall and Cork Opera House. The Journal of Music spoke to the Irish composer, who now lives in the States, about his music, his life in America and what drives his work.
‘A thoughtful musician and a thoughtful composer’: Remembering Paddy Fahey
The great traditional Irish fiddle-player and composer Paddy Fahey died at the weekend. The Journal of Music spoke to musicians Martin Hayes, Liz Kane and Breda and Claire Keville about his music and legacy.
What do the EU Election Results Mean for Music and the Arts?
The EU’s 'Work Plan for Culture 2019–22' is likely to shape support for the arts and music in the coming years, but what does it contain?
'They’re siblings – all growing from the same root': An Interview with Folk Singer Anna Mieke
Anna Mieke has just released her first album, Idle Mind. She spoke to the Journal of Music about a collection of songs that grew through travel and her studies at UCC.
‘There’s an infrastructure that hasn’t been built overnight’: An interview with Benedict Schlepper-Connolly and Garrett Sholdice of Ergodos
The Irish label Ergodos, run by Benedict Schlepper-Connolly and Garrett Sholdice, has just released its 30th recording, an album by the Ficino Ensemble featuring works by Brahms, Ravel and Sholdice. The two label founders spoke to the Journal of Music about growing Ergodos over the past 13 years, the role of a label in the modern musical ecosystem, and the arts infrastructure that is frustrating its development.
A Future for Irish Music
How can we ensure that we have the infrastructure to support all Irish music into the future? Why have we not achieved this already? In an essay written to mark the twentieth anniversary of the music and arts station RTÉ Lyric FM, Toner Quinn, Editor of the Journal of Music, asks the question: what is holding us back?