It is now over three weeks since RTÉ announced that it was closing the Lyric FM studios in Limerick and moving production of the national music and arts radio station to Cork and Dublin. What does this mean for the station's content and staff, and will the decision be reversed? The Journal of Music spoke to the Head of Lyric, Aodán Ó Dubhghaill.
The inaugural TradTalk conference, a new discussion forum for traditional artists, took place last weekend (16 November). Toner Quinn reflects on some of the issues raised.
Traditional music once comforted us and reassured us, writes Toner Quinn, but not Lankum.
The music business isn't just coming back to life right now, it may actually be bigger than before. What has changed, how did it happen, and what does it mean for artists? Gareth Murphy surveys the contemporary industry and asks: Who is making money from music and how?
A recent book on the life and work of the Irish composer Ina Boyle suggests an oeuvre worth uncovering. James Camien McGuiggan explores the arguments.
We have entered a new era in Irish music, writes Toner Quinn, in which a language based on traditional music and song is producing extraordinary work across genres, but is it getting the attention it deserves?
‘We know traditional music represents so much more than just the melody that you hear’: Úna Monaghan at Tradition Now and Galway Jazz Festival
Harper, composer and recipient of the inaugural Liam O’Flynn award, Úna Monaghan will perform solo in Dublin and Galway next week. She spoke to the Journal of Music about her current work for harp and electronics.
Lyric FM is under threat because of RTÉ's financial difficulties, but a better future for the station is possible, writes Toner Quinn.
‘I’m in this business to be moved, to be communicated with, to be transported’: An Interview with Finghin Collins
One of Ireland's best known classical musicians, Finghin Collins is also Artistic Director of the New Ross Piano Festival, which takes place on 25–29 September. He spoke to the Journal of Music about the balance between performing and programming, what he looks for in concerts, and his own musical background.
The amount of new work commissioned and performed by the RTÉ National Symphony Orchestra has dropped significantly in recent years. Such short-termism affects our musical culture and the generations to come, writes Adrian Smith.
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