A memoir and diary belonging to the composer Brian Boydell (1917–2000) have recently been published in a book titled 'Rebellious Ferment', focusing in particular on his life and work in the 1940s and 50s. Mark Fitzgerald reviews.
There's a reason why some countries export more good music than everywhere else, and it’s down to the health of their independent label scene. But what are the secrets to starting and running a successful record label, and how can you avoid the classic mistakes? Gareth Murphy explains how to survive an unpredictable game.
Singer-songwriter Mike Hanrahan's book, 'Beautiful Affair: A Journey in Music, Food and Friendship', mixes anecdotes from his musical career, including his time with Stockton's Wing and Ronnie Drew, with his life in cookery. Ian Bascombe reviews.
Irish harping has been given recognition by UNESCO. It is an important moment for Irish music, writes Toner Quinn.
It is now over three weeks since RTÉ announced that it was closing the Lyric FM studios in Limerick and moving production of the national music and arts radio station to Cork and Dublin. What does this mean for the station's content and staff, and will the decision be reversed? The Journal of Music spoke to the Head of Lyric, Aodán Ó Dubhghaill.
The inaugural TradTalk conference, a new discussion forum for traditional artists, took place last weekend (16 November). Toner Quinn reflects on some of the issues raised.
Traditional music once comforted us and reassured us, writes Toner Quinn, but not Lankum.
The music business isn't just coming back to life right now, it may actually be bigger than before. What has changed, how did it happen, and what does it mean for artists? Gareth Murphy surveys the contemporary industry and asks: Who is making money from music and how?
A recent book on the life and work of the Irish composer Ina Boyle suggests an oeuvre worth uncovering. James Camien McGuiggan explores the arguments.
We have entered a new era in Irish music, writes Toner Quinn, in which a language based on traditional music and song is producing extraordinary work across genres, but is it getting the attention it deserves?