Barra Ó Séaghdha

Barra Ó Séaghdha is a writer on cultural politics, literature and music.

Saturday 23 April / The Printing House, Trinity College, Dublin
Has too much been sacrificed by Irish traditional music in embracing the values of modern Ireland? Barra Ó Séaghdha takes some snapshots of a country with 'societal amnesia' and wonders where all the slow airs have gone...
The Sligo New Music Festival and Composers’ Choice.
The weekend of 20-22 February saw the RTÉ Living Music Festival 2004 at the Helix in Dublin. Last year's very successful Berio-centred event appears to have set the pattern for the festival. This year some major works by Boulez were highlighted, but a number of Irish composers and ensembles were able to show their wares alongside their French contemporaries.
The 2003 Crash Festival at the Project (Dublin) presented a wide range of formats and activities, from solo piano to video + electronics + percussion to interview. Responses too were varied. Reporting for the JMI, Barra Ó Seaghdha presents one set of variations on a festival theme.
Barra Ó Séaghdha looks back over the JMI's first three years and suggests possibilities for the future...
Barra Ó Séaghdha gives his response to the second Crossroads conference on traditional music which took place in Derry from 25th to 27th April.
There may have been periods when little or nothing seemed to be happening in the contemporary/classical world, but 2002 was not a year for morose contemplation of the difference between nothingness and near-nothingness. Instead, it seemed a year of achievement:...
The RTÉ Living Music FestivalFeaturing the music of Lucian Berio, October 25-27 @ The HelixDecision time. It’s after nine o’clock on a cold, bright, windy, leaf-strewn, post-gale Sunday morning and you have to decide whether to cross half...
Dear Editor,I was intrigued by Axel Klein's response to Patrick Zuk's review of Harry White’s writings on music and nationalism. It is noteworthy that Dr Klein does not take issue with any specific point raised by Zuk. Instead, he expresses shock...
A look at the current state of reviewing in jazz, traditional and classical music in Ireland.