Composer Discovers Orchestra! Gerald Barry's Viola Concerto received its world premiere last week, performed by Lawrence Power and the Britten Sinfonia with Thomas Adès conducting. It's Barry's third concerto in recent years and it may be 'the wackiest of the lot', writes Adrian Smith.
What do the EU Election Results Mean for Music and the Arts? The EU’s 'Work Plan for Culture 2019–22' is likely to shape support for the arts and music in the coming years, but what does it contain?
No Magical Ending for Irish National Opera's Season Irish National Opera concluded its January to May short season with 'The Magic Flute' at the Gaiety last week, but it was a disappointing final production with questionable directorial decisions, writes Adrian Smith.
Futuristic and Fearless '...existential musings... music to move to' – Laura Sheary reviews the recent double-bill at the Black Box in Belfast featuring genre-bending groups Robocobra Quartet and Meltybrains?
'They’re siblings – all growing from the same root': An Interview with Folk Singer Anna Mieke Anna Mieke has just released her first album, Idle Mind. She spoke to the Journal of Music about a collection of songs that grew through travel and her studies at UCC.
Screens Draw the Eye Louth Contemporary Music Society presented the world premiere of Canadian composer Nicole Lizée's 'Spielberg Études' at Drogheda Arts Festival on 4 May, as well as her 'Hitchcock Études' and 'Kubrick Études'. Brendan Finan reviews the unique audio-visual works.
Tradition in the Making In the third review from the new Journal of Music Music Writer Mentoring Scheme, supported by Galway City and County Arts Offices, Massimo Cattaneo reviews a Raelach Records showcase at the Black Gate featuring button accordionist Conor Connolly and fiddle-player Claire Egan.
To Raise a Music Community The It Takes a Village festival took place in East Cork on 10–12 May, featuring Irish acts such as Thumper, David Kitt, Le Boom, Jinx Lennon, Kojaque and Anna Mieke. Shannon McNamee reviews the small, intimate festival now in its second year.
The Winter We Don't Expect We’re trained to think of musical winters in a certain way, writes Brendan Finan, but Ergodos' latest release, featuring the Ficino Ensemble and a new work by Garrett Sholdice, brings the unexpected.
‘There’s an infrastructure that hasn’t been built overnight’: An interview with Benedict Schlepper-Connolly and Garrett Sholdice of Ergodos The Irish label Ergodos, run by Benedict Schlepper-Connolly and Garrett Sholdice, has just released its 30th recording, an album by the Ficino Ensemble featuring works by Brahms, Ravel and Sholdice. The two label founders spoke to the Journal of Music about growing Ergodos over the past 13 years, the role of a label in the modern musical ecosystem, and the arts infrastructure that is frustrating its development.