The Collector as Coloniser? The University of Chicago Press has recently published a book on the influential Irish music collector Francis O'Neill, 'The Beat Cop – Chicago’s Chief O’Neill and the Creation of Irish Music' by Michael O’Malley. Mary Louise O'Donnell reviews.
10 Impossible Ideas for Irish Traditional Music A lot has been achieved in Irish traditional music over the past several decades, but what happens next? What are the challenges for this music, and how can the traditional music community work together to create an even better future? Below is the edited text of a talk given by Toner Quinn, Editor of the Journal of Music, on 24 November 2022 as part of Na Píobairí Uilleann’s 'Notes & Narratives' lecture series.
What Ever Happened to Britten in Ireland? Benjamin Britten is one of the most unique composers of the twentieth century, but in Ireland the programming of his work has been inconsistent, writes Thomas Neill.
Between What Was and What Might Be Singer and songwriter Paul Brady has recently published a memoir of his life in music, 'Crazy Dreams', which explores growing up in Strabane, the folk scene of the 60s and 70s, his seminal albums and songs, and recent projects. Adrian Scahill reviews.
Music in a Land of Contradictions Arts Council England's recent funding decisions have set opera companies, orchestras and even musical genres against one another. The controversy demonstrates why musicians have to stand together, writes composer Christopher Fox.
Tracing a Life's Path Accordion player and composer Johnny Óg Connolly has just completed a national tour with his new work 'An Cosán Draíochta'. Brendan Finan reviews the performance at Solstice Arts Centre on 11 November.
A Joyous Debut The Chineke! Orchestra, Europe's first majority Black and ethnically diverse orchestra, made their Irish debut at the NCH on 13 November, with soloist Jeneba Kanneh-Mason. Adrian Smith reviews.
A Hymn to Nature and Freedom Irish National Opera's 'William Tell' – the first production of the Rossini opera in Ireland for 145 years – opened at the Gaiety Theatre on 8 November and runs until Sunday. Adrian Smith reviews.
Playing to His Strengths Frankie Gavin's new solo album, 'Port Éireann', with Catherine McHugh on piano, contains classic traditional sets, a new composition, and a tribute to Joe Burke. Adrian Scahill reviews.
A Tradition Carried Forward 'MÁM' by Michael Keegan-Dolan and dance company Teaċ Daṁsa, featuring concertina player Cormac Begley and the Berlin-based collective s t a r g a z e, is currently on tour. James Camien McGuiggan reviews a performance in Portarlington Community Centre on 28 October.