After All the Work Self-reflection – often painful, confusing and difficult – is at the heart of singer-songwriter Ailbhe Reddy's debut album 'Personal History'. Andrea Cleary reviews.
Freefalling and Unfolding Composer Ed Bennett's new album 'Psychedelia' includes a number of large-scale works and features Decibel, Kate Ellis, Eliza McCarthy and Jack McNeill. Brendan Finan reviews.
How the Arts Made Their Funding Breakthrough The government’s funding announcement for the arts in Budget 2021 was unprecedented, and there are lessons to be learned from the way in which it came about, writes Toner Quinn.
Room for the Mysterious Folk Composer and producer Neil O'Connor (formerly Somadrone) has recently released 'Ampere', a second album under the title Ordnance Survey, featuring collaborations with Dónal Lunny, Muireann Nic Amhlaoibh, Cormac Mac Diarmada and David Murphy. Don O'Mahony reviews.
Every Second Feels Real After emerging onto the scene in 2017, releasing two EPs and performing at many of Ireland's festivals, pop-grunge four-piece Pillow Queens released their debut album last month. Jake Tiernan reviews.
There's Strength in Song Limerick singer-songwriter Emma Langford's second album 'Sowing Acorns', released last month, is a blend of folk-inspired songwriting and upbeat pop. Shannon McNamee reviews.
Love of the Living Sounds Composer Karen Power's new album 'human nature' combines recordings of the living world with improvisations from musicians such as Michelle O'Rourke and Caoimhín Ó Raghallaigh. James Camien McGuiggan reviews.
The Futures We are Imagining are Too Narrow Toner Quinn reviews two new works, 'Óró', which brought together artists from around Europe and took place in the Conamara Gaeltacht, and Jennifer Walshe’s live-streamed premiere, 'Ireland: A Dataset'.
Ethereal and Melancholic Irish composer Linda Buckley this week releases 'From Ocean's Floor', a new album of electronic and chamber work on the NMC label. Adrian Smith reviews.
Quiet, Gentle Wonder Galway singer-songwriter Niamh Regan's debut album is the surprising inaugural release from new label Black Gate Records. Andrea Cleary reviews.