‘Confusing the Discourse’ – Why Fossil Fuel Companies Should Not Be Sponsoring the Arts The sponsorship by Flogas of the Galway International Arts Festival raises a number of questions about what is appropriate sponsorship for the arts, writes Toner Quinn.
Communication Under Constraints David Bremner's chamber opera 'Slow Recognition' was premiered at Unit 44 in Dublin last week. Brendan Finan reviews.
Sometimes Startled A new album on the Diatribe label features South African pianist Jill Richards performing six of Kevin Volans' études, while the composer plays a number of works by Liszt. Mark Fitzgerald reviews.
Ambient Natural World 'Chimp', the new solo album from violinist and singer Diamanda La Berge Dramm, is a collection of avant pop with words by Steven J. Fowler. Brendan Finan reviews.
Unofficial Music History A new book by Kate Molleson, 'Sound Within Sound: Opening Our Ears to the Twentieth Century', explores the work of ten composers who have been left out of standard musical histories. Mark Fitzgerald reviews.
In-Depth Experience in West Cork Returning for its first live festival since 2019, the West Cork Chamber Music Festival took place from 24 June to 3 July with over 100 concerts. James Camien McGuiggan attended for three days and reviews a number of events.
A Win for Smaller Offerings The Body & Soul festival returned on 17–19 June with a reduced capacity and a line-up including CMAT, Róisín Murphy, Pillow Queens and Jon Hopkins. Andrea Cleary reviews.
A Generation Without Hope In the music of today, you can hear the hopelessness of today's youth as they face a catalogue of dark, gloomy issues, writes Shannon McNamee.
A Royal Conflict Irish National Opera's production of Donizetti’s 'Maria Stuarda' opened in the Gaiety Theatre in Dublin at the weekend, ahead of dates in Cork, Wexford and Limerick. Brendan Finan reviews.
Natural New Directions Violist Nathan Sherman and percussionist Alex Petcu have recently released a new album that includes commissions from Benedict Schlepper-Connolly and Kate Moore as well as works by Ian Wilson and Berio. Brendan Finan reviews.