Northern Perspective on New Music Hard Rain SoloistEnsemble from Northern Ireland have recently released their debut album, 'A Terrible Beauty' – a double-CD of 12 compositions. Mark Fitzgerald reviews.
Radio Experimental Celebrating five years of broadcasting, Dublin Digital Radio hosted its first festival of experimental music and sound last week (27–31 October). Anna Murray reviews.
A Critical Moment for Choral Singing Many choirs have not been able to function meaningfully since the pandemic began, but as they start to meet again now is the time to refresh and reflect on their aims, writes Geoffrey Spratt.
David Keenan's Sense of Place Over the last decade, a number of remarkable artists have emerged from the music scene in Dundalk, David Keenan key among them. This month, he released his poetic second album, "What Then?". But what is it about this border town that generated a different type of music scene, and why now? Shannon McNamee writes about her home county and Keenan's unique voice.
Hear Him Out Composer Dave Flynn has recently released an album of string quartet and chamber works, 'Irish Minimalism', which combines traditional Irish and contemporary music. James Camien McGuiggan reviews.
The Weight That Cultural Spaces Hold The latest release from Ergodos is a collection of duets recorded by Ross Turner in the off-stage spaces of the National Concert Hall. Andrea Cleary reviews.
Hollowed Out by Her Past Donnacha Dennehy and Enda Walsh's new opera, 'The First Child', premiered at the Dublin Theatre Festival at the weekend. Adrian Smith reviews.
Female Grief, Sorrow and Sacrifice Roger Doyle has recently released his second electronic opera, 'iGirl', with a libretto by Marina Carr. Michael Quinn reviews.
We Have Celebrated Ó Riada Enough On 25 September, the National Concert Hall, the Arts Council and RTÉ presented two tribute concerts to mark the fiftieth anniversary of Seán Ó Riada's death. Toner Quinn reviews.
Shouting About Housing 'Music for Cranes', a site-specific performance by Kirkos ensemble, recently took place as part of the Dublin Fringe Festival. James Camien McGuiggan reviews.