Focus
Shades of Drama and Light
Last week, the National Symphony Orchestra performed under Portuguese conductor Joana Carneiro a programme of works by Salonen, Mahler, and Stravinsky, featuring mezzo-soprano Tara Erraught. James Camien McGuiggan reviews.
An Ambitious and Diverse Return
New Music Dublin returned last week with a fully live event from 28 April to 1 May, and 39 world premieres. Adrian Smith reviews.
A Limited Edition
A new collection of essays, 'This Woman's Work', focuses on the female experience of music and aims to challenge 'the historic narrative of music and music writing being written by men, for men’. Laura Watson reviews.
Two Days in Belfast
The music and sound art festival Sonorities returned this month following a pause due to the pandemic. Drew Stephens attended a cross-section of the event in Belfast on 7–8 April.
Making Unlikely Things Possible
The Music Current contemporary music festival returned last week post-pandemic and featured international groups Splinter Reeds, Loadbang and Ensemble Garage, Barry Guy and Maya Homburger, and a range of premieres. James Camien McGuiggan reviews.
Not Its Usual Scream
Pianist Michael McHale has recently released an album that combines the famous Beethoven 'Moonlight' and' Appassionata' sonatas with new works by Linda Buckley and Áine Mallon. Brendan Finan reviews.
Intuitive Decisions
Not long after a remarkable second appearance on James Corden's 'Late Late Show' in the US, Pillow Queens have released their new album, 'Leave The Light On'. Andrea Cleary reviews.
Raidió na 'Fuddy-Duddies'?
RTÉ Raidió na Gaeltachta celebrates 50 years this month, but however great its achievements and its positive impact on traditional music and song, Irish-language media cannot stand still, writes Toner Quinn.
Beyond Pussy Riot – Rock, Pop, Rap and the Russian Invasion of Ukraine
Beyond the activist punk band Pussy Riot, a number of popular rock, pop and rap artists in Russia have been making their voices heard on the invasion of Ukraine – in the face of oppressive new laws – while others have chosen to stay silent. Adrian Smith explores the nature of dissent through music in Russia at this critical time.
A Voice His Own, Rarely Alone
After a delay of two years due to the pandemic, fiddle player Martin Hayes finally premiered his new group the Common Ground Ensemble at the National Concert Hall last weekend. Brendan Finan reviews.