The Book of Mormon

The Book of Mormon

Monday, 8 November 2021, 7.30pm

The Book of Mormon, Broadway’s smash-hit musical written by Trey Parker, Matt Stone and Robert Lopez, is coming on a mission to Bord Gáis Energy Theatre!

Trey Parker and Matt Stone are the creators of the Emmy and Peabody award-winning television show, South Park, now in its twenty second season, and the feature films South Park: Bigger, Longer & Uncut and Team America: World Police.

Robert Lopez co-created the Broadway musical Avenue Q and co-wrote the songs for Disney’s Frozen and Coco. He is one of only fifteen artists to win all four major entertainment awards - Emmy®, Grammy®, Oscar® and Tony® Awards.

The Book of Mormon follows a pair of Mormon boys sent on a mission to a place that’s a long way from their home in Salt Lake City.

Since making its world premiere in March 2011 at New York’s Eugene O’Neill Theatre, where it won nine Tony® Awards, including Best Musical, The Book of Mormon has been performed on three continents and won over thirty international awards. The musical has smashed long-standing box office records in New York, London, Melbourne, Sydney and cities across the U.S.

The London production opened in February 2013, winning four Olivier Awards® including Best New Musical, and breaking the record for the highest single day of sales in West End history. It has sold out every one of its 2,936 performances to date at the Prince of Wales Theatre.

Book, Music and Lyrics are by Trey Parker, Robert Lopez and Matt Stone. Directed by Casey Nicholaw and Trey Parker, The Book of Mormon has choreography by Casey Nicholaw, set design by Scott Pask, costume design by Ann Roth, lighting design by Brian MacDevitt, sound design by Brian Ronan, orchestrations by Larry Hochman and Stephen Oremus and music supervision and vocal arrangements by Stephen Oremus.

AGE GUIDANCE: 16+ DUE TO EXPLICIT LANGUAGE AND THE NATURE OF THE SHOW.

The Book of Mormon is produced by Anne Garefino, Important Musicals and Sonia Friedman Productions

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Published by The Journal of Music on 8 November 2021

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