Vivaldi

Concert Planner & Upcoming Job Deadlines (16–22 May 2022)
News
Concert Planner & Upcoming Job Deadlines (16–22 May 2022)
This week's concerts and job and funding deadlines...
May 16, 2022
Peter Whelan and Irish Baroque Orchestra Win Olivier Award for Irish National Opera's ‘Bajazet’
News
Peter Whelan and Irish Baroque Orchestra Win Olivier Award for...
Conductor and orchestra receive Outstanding Achievement in...
Apr 13, 2022
Every Character in Their Own Prison
Reviews
Every Character in Their Own Prison
The opening night of Irish National Opera's production...
Jan 20, 2022
Through the Lens
Reviews
Through the Lens
Composer Ian Wilson's new album 'Echoes and...
Nov 25, 2021
Many Sides to the Galway Cello
Reviews
Many Sides to the Galway Cello
Music for Galway's inaugural Cellissimo festival,...
Apr 8, 2021
There Are No Winners
Reviews
There Are No Winners
Last weekend, Irish National Opera gave the first ever...
Oct 17, 2019
‘It’s really exciting to sing but it has its challenges’: Emma Morwood on the Arias of Griselda
News
‘It’s really exciting to sing but it has its challenges’: Emma...
This weekend in Galway, Irish National Opera will give the...
Oct 11, 2019
Travels with My Aria
Reviews
Travels with My Aria
In the fourth review from our new Music Writer Mentoring...
Jun 20, 2019
Leaving Nothing Behind
Reviews
Leaving Nothing Behind
Music by Simon O'Connor, John McLachlan, Piazzolla and...
Mar 1, 2018
Opinion
On Fatwahs and Compressed Frequencies
Composer Raymond Deane picks through notions of musical...
Sep 1, 2007