Lankum's New Fire In the latest review from our Journal of Music/Galway City Council Music Writer Mentoring Scheme, Shannon McNamee listens to the skilled, edgy folk sound of Lankum.
Informal Art Gábor Tákacs-Nagy's rapport with orchestra and audience is refreshing, writes Adrian Smith, in a review of the Irish Chamber Orchestra (27 September) performing Elgar, Brahms and the world premiere of Sam Perkin's '365 Variations on a Gesture'.
The Song Harvest Paul Brady's songs have soundtracked Ireland since the 1970s, crossing many styles, but what are the characteristics that bind his songwriting together? Deirdre Clare, in the latest review from our Journal of Music/Clare County Council Music Writer Mentoring Scheme, listens to a song-rich performance at Glór.
Galway Only Knows 'Pet Sounds' is an experience as much an album, writes Dylan Murphy, in the latest review from our Journal of Music/Galway City Council Music Writer Mentoring Scheme, and hearing the 60s masterpiece live was a reminder of its meticulous construction – but Brian Wilson's presence on stage raised other questions.
Outbursts and Lulls In the first music review from our new Journal of Music/Galway City Council Music Writer Mentoring Scheme, Vincent Hughes explores the evocative music of Overhead, the Albatross at the Galway International Arts Festival.
Two Americas United In the second music review from our new Journal of Music/Galway City Council Music Writer Mentoring Scheme, Jake Morgan attends a special RTÉ Concert Orchestra concert that celebrated the cross-fertilisation between North and South America.
Listening Closer The celebrated Italian composer Salvatore Sciarrino visited Ireland for the first time in June for a festival of his music presented by Louth Contemporary Music Society. Brendan Finan reviews the final concert featuring flautist Matteo Cesari, Quartetto Prometeo and Neue Vocalsolisten Stuttgart.
Playing With Reverence From Schnittke to David Fennessy, Bernd Franke to Galina Grigorjeva, Chamber Choir Ireland's two most recent programmes introduced a fascinating range of repertoire to audiences, writes Anna Murray.
From Crisis to Combustion Daring performances in 'The Second Violinist', a new opera by Donnacha Dennehy and Enda Walsh premiered at the Galway International Arts Festival, explore a range of personal and musical crises, writes Toner Quinn.
Composer's Style Accordion player Johnny Óg Connolly's album of original compositions has a range of inspirations, from musician friends to classical traditions, writes Adrian Scahill.