Louth Contemporary Music Society presented the world premiere of Canadian composer Nicole Lizée's 'Spielberg Études' at Drogheda Arts Festival on 4 May, as well as her 'Hitchcock Études' and 'Kubrick Études'. Brendan Finan reviews the unique audio-visual works.
The It Takes a Village festival took place in East Cork on 10–12 May, featuring Irish acts such as Thumper, David Kitt, Le Boom, Jinx Lennon, Kojaque and Anna Mieke. Shannon McNamee reviews the small, intimate festival now in its second year.
In the third review from the new Journal of Music Music Writer Mentoring Scheme, supported by Galway City and County Arts Offices, Massimo Cattaneo reviews a Raelach Records showcase at the Black Gate featuring button accordionist Conor Connolly and fiddle-player Claire Egan.
We’re trained to think of musical winters in a certain way, writes Brendan Finan, but Ergodos' latest release, featuring the Ficino Ensemble and a new work by Garrett Sholdice, brings the unexpected.
An Taobh Tuathail presented by Cian Ó Cíobháin has been broadcasting since 1999, championing alternative voices late into the night on the Irish-language station RTÉ Raidió na Gaeltachta. Shannon McNamee reviews a 20th anniversary concert in Galway (3 May) featuring Mount Alaska and Ships.
RTÉ Lyric FM celebrated its twentieth year with a gala concert on 1 May featuring the premiere of the very first concerto for Irish harp, written by Ryan Molloy. Tim Diovanni reviews.
Derry band Touts' rapid-fire sociopolitical commentary resonates with a despondent generation, writes Jake Tiernan, in the second review from our new Music Writer Mentoring Scheme, supported by Galway City and Galway County Arts Offices.
Crash Ensemble continue to reach out to new listeners, most recently in a concert dedicated to music related to skateboarding. Adrian Smith reviews the film and music event which featured new work by Sam Perkin and Jennifer Walshe.
The Music Current contemporary music festival – which took place last week in Dublin – has a radicalism in curation that can give listeners a real feeling of discovery. Adrian Smith reviews the four days and asks: can it grow its 'fringe' status in the Irish new music scene?
In the first review from our new Music Writer Mentoring Scheme, supported by Galway City and Galway County Arts Offices, James Fleming reviews a performance by Sarah Nicolls of her new political work 'Twelve Years'. Presented by Galway Jazz Festival at the Mick Lally Theatre on 29 March, the composition by the British pianist and composer is a direct call for action at a time of crisis.
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