At this year's Drogheda Arts Festival, Louth Contemporary Music Society presented a spectralist work from the 1970s alongside a postminimalist one from the last decade and a series of techno-inspired shorts. Brendan Finan finds the connections.
Gerald Barry's inspirations come from many sources – his new Organ Concerto, performed in Dublin last week, was partly inspired by a cat mourning the loss of atonality – or was it? Adrian Smith reviews.
Composer Judith Ring's first body of work featuring her own singing is both gentle and complex writes Shannon McNamee in her second Journal of Music/Galway City Council Music Writer Mentoring Scheme review.
Andrew Hamilton's 'music for people who like art' was the nearest thing to a smash hit in contemporary music, writes Adrian Smith. A new recording on the NMC label includes works composed either side of it too.
Fiddle-player Conor Caldwell's diverse new album is inspired by both the historic work of collector Edward Bunting and the sounds of contemporary Belfast, writes Toner Quinn.
Irish National Opera's production of The Marriage of Figaro was fresh, visually arresting and cartoonish, writes Brendan Finan. But why does opera still rely on women's stories as told by men?
The Music Current festival continues to present intriguing, uncompromising sound works, as Anna Murray found at a performance by Yarn | Wire.
Brendan Finan finds self-assurance and careful design in this new collection of Bill Whelan's orchestral works, released on the RTÉ Lyric FM label.
Belfast harper Úna Monaghan's new album is a surprising – sometimes startling – mix of traditional music material and electronics, writes Anna Murray.
Adrian Scahill reviews 'Aisling Ghéar', a stark and unflinching new documentary on the concertina player Noel Hill.
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