'Pet Sounds' is an experience as much an album, writes Dylan Murphy, in the latest review from our Journal of Music/Galway City Council Music Writer Mentoring Scheme, and hearing the 60s masterpiece live was a reminder of its meticulous construction – but Brian Wilson's presence on stage raised other questions.
Paul Brady's songs have soundtracked Ireland since the 1970s, crossing many styles, but what are the characteristics that bind his songwriting together? Deirdre Clare, in the latest review from our Journal of Music/Clare County Council Music Writer Mentoring Scheme, listens to a song-rich performance at Glór.
In the second music review from our new Journal of Music/Galway City Council Music Writer Mentoring Scheme, Jake Morgan attends a special RTÉ Concert Orchestra concert that celebrated the cross-fertilisation between North and South America.
In the first music review from our new Journal of Music/Galway City Council Music Writer Mentoring Scheme, Vincent Hughes explores the evocative music of Overhead, the Albatross at the Galway International Arts Festival.
The celebrated Italian composer Salvatore Sciarrino visited Ireland for the first time in June for a festival of his music presented by Louth Contemporary Music Society. Brendan Finan reviews the final concert featuring flautist Matteo Cesari, Quartetto Prometeo and Neue Vocalsolisten Stuttgart.
From Schnittke to David Fennessy, Bernd Franke to Galina Grigorjeva, Chamber Choir Ireland's two most recent programmes introduced a fascinating range of repertoire to audiences, writes Anna Murray.
Daring performances in 'The Second Violinist', a new opera by Donnacha Dennehy and Enda Walsh premiered at the Galway International Arts Festival, explore a range of personal and musical crises, writes Toner Quinn.
In the first music review from our new Journal of Music/Clare County Council Music Writer Mentoring Scheme, Ian Bascombe reviews a recent Riches of Clare concert featuring an ensemble led by fiddle-player Sheila Garry.
'Sketching quickly, grasping the essence of the atmosphere', writes Jane O'Leary about one of her recent chamber works – Brendan Finan reviews a recently released collection.
Born in Amsterdam, raised in Ireland, and descended from a long line of musicians from Central and Eastern Europe, Gwendolyn Masin explores her rich roots in 'Origin', writes Adrian Smith.
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