'Sketching quickly, grasping the essence of the atmosphere', writes Jane O'Leary about one of her recent chamber works – Brendan Finan reviews a recently released collection.
Born in Amsterdam, raised in Ireland, and descended from a long line of musicians from Central and Eastern Europe, Gwendolyn Masin explores her rich roots in 'Origin', writes Adrian Smith.
Euphonic and empowering – Saint Sister's headline concert at the NCH was another major milestone for the duo, writes Ruth Cronin
The eclecticism on percussionist Alex Petcu's debut recording works very much in its favour, writes Adrian Smith.
Ritual is central to the latest commission from the Louth Contemporary Music Society, writes Brendan Finan – a major new work by Scottish composer James Dillon, performed by Peyee Chen and Crash Ensemble at the Drogheda Arts Festival.
Caoimhín Vallely's new solo piano recording is an experimental unfolding of music, writes Adrian Scahill, expressing a sense of the inner world of the musician.
Concertina player Cormac Begley’s creative journey has been one to watch, and his new solo album is an assertive next step, writes Toner Quinn.
Four of Ireland's leading violinists, an inventive programme of works from the past, and an Ian Wilson premiere – Anna Murray caught up with the latest Music Network tour at St Ann's Church, Dublin.
Siobhán Cleary's 'Vampirella' is a thought-provoking addition to the Irish operatic repertoire, writes Laura Watson.
The latest in a series of collaborations between Crash Ensemble and indie artists shone a new light on the artistry of Katie Kim, writes Anna Murray.
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