Opera for Our Time Adrian Smith reads Adès’s 'Powder Her Face' as a story of female empowerment and upper-class complacency in the very promising first production from Irish National Opera.
Hear the Water Naomi Berrill's new album is an ode to sea, using cello and vocals to conjure up its sounds. Julie Seagrave – in her second review as part of the Journal of Music/Galway City Council Music Writer Mentoring Scheme – hears undercurrents, unexpected pulls and more.
Room for Everyone In the final review from our Journal of Music/Clare County Council Music Writer Mentoring Scheme, Deirdre Clare writes about the latest recording from one of Clare's most renowned traditional musicians.
Leaving Nothing Behind Music by Simon O'Connor, John McLachlan, Piazzolla and the Conor Guilfoyle Octet – more variegated works would be hard to find, writes Brendan Finan about Kaleidoscope's spring event which took place earlier this month.
From the North Country The North Clare musical identity is brought to life with nuanced tunes from Florence Fahy – Alan Reid listens to the concertina player's debut album for his second review as part of our Journal of Music/Clare County Council Music Writer Mentoring Scheme.
Love and Conflict at the NCH It is a critical time for the RTÉ NSO, but it celebrated its 70th year with a diverse programme and impassioned performances, writes Adrian Smith.
Layers of Knowledge In her second review as part of our Journal of Music/Clare County Council Music Writer Mentoring Scheme, Ruth Smith listens to An Tara's 'genre-curious' album 'Faha Rain'.
Musical Tricks Brendan Finan reviews a recent staging of Michael William Balfe's 'The Sleeping Queen' – the second Irish opera revival in recent months.
Under an Irish Sky In the latest piece from our County Clare Music Writer Mentoring Scheme, Ian Bascombe reviews the new recording from harper Floriane Blancke.
Recalling Joe Heaney Far from a standard musical biopic, Pat Collins's film on sean-nós singer Joe Heaney, 'Song of Granite', explores the world of the wandering artist through sound and place, writes Anna Murray.