Balfe's 'Sleeping Queen' Returns to Dublin Michael William Balfe's 1864 work 'The Sleeping Queen' was his only operetta and written for surprisingly small forces. Una Hunt tells the story of the work ahead of its performance at the NCH – the first staging in Dublin in modern times.
A New Edge to the West The Galway Jazz Festival has a new momentum and was bigger again this year – Toner Quinn attended a mix of concerts, from the Radio String Quartet to Peter Broderick, plus a debate on Brexit.
New Music on the Margins The 'Music of Our Time' concerts struggle to find an audience on mid-week afternoons. Adrian Smith examines how a lack of regard for new music and a lack of vision impact the series.
The Challenge to the Gaeltacht Remains ‘Aisling?’, a new show of music, song, dance and literature directed by Darach Mac Con Iomaire and commissioned by Ealaín na Gaeltachta, was presented as a central part of ‘Bliain na Gaeilge’ – a year-long celebration of the Irish language. Barra Ó Séaghdha reviews its Dublin premiere.
Emotional Openness Ólafur Arnalds wrote his most recent album with the input of a live generative system, but how do these ghostly player pianos work in concert? Anna Murray reviews his recent concert at the National Concert Hall.
Against Resignation: An Interview with Raymond Deane Is there a lack of solidarity among composers? Will classical music ever become a part of Ireland's national consciousness? And have young Irish composers unwittingly subscribed to a code of musical prohibitions influenced by the US? In a wide-ranging interview, Raymond Deane, whose new opera 'Vagabones' will be premiered in 2019, discusses aesthetics, politics and occasional strokes of good luck with Adrian Smith.
Experiments in Musical Language The 2018 edition of New Music Dublin featured two ambitious concertos by Unsuk Chin and Kevin Volans exploring the language of the traditional sheng from China and the Irish uilleann pipes. Brendan Finan reviews.
Shocking Invention In the first concert of their Music Network tour, Maighread Ní Dhomhnaill, Máirtín O'Connor and Séamie O'Dowd moved between playfulness and finesse, writes Anna Murray.
On Risk and Restraint Adrian Smith reviews the opening concert of the Irish Chamber Orchestra's 2018/19 season, conducted by French conductor Jean-Christophe Spinosi and featuring a new work by Sam Perkin.
Torch Carriers The first Quiet Lights festival of folk showcased a broad range of musical expression. Don O'Mahony reviews a double-bill of Dowry and Claudia Schwab.