Criticism
Live Reviews: Composers' Choice – Ian Wilson
NCH, 17 April 2003Psappha (Instrumental Ensemble)Tim Williams, DirectorWilson – Eat, Sleep, Empire (unterwelt, part 1)Morton Feldman – Why Patterns?Wilson – Involute (unterwelt, part 2)George Crumb – Eleven echoes of autumnIan Wilson...
Live Reviews: Roger Doyle & Friends
Roger Doyle & FriendsMermaid Arts Centre, Bray, Co. Wicklow25th January 2003with Trevor Knight (piano/keyboards) and Tim Redfern (interactive video)Salome; Budawanny 2002; The Nightshow from Babel; The Idea and its Shadow; 3 Pieces; Passade; Improvisation;...
Live Review: Deirdre Gribbin's Empire States
National Symphony Orchestra / William Eddins, conductor / National Concert Hall, Dublin / 31st January 2003
Live Reviews: Horizons: John McLachlan
National Symphony OrchestraWilliam Eddins, conductorNational Concert Hall, Dublin4th Feb 2003Horizons 1 – Featured Composer: John McLachlanMcLachlan – Concerto for Chamber OrchestraLutoslawski – Jeux vénitiensFoss – Ode for OrchestraMcLachlan...
Live Reviews: Horizons: Stephen Gardner
National Symphony Orchestra
William Eddins, conductor
National Concert Hall, Dublin
28th January 2003
Letters: Up North! Reviews
Dear Editor,The reviews of the recent so called ‘up-worth’ festival seemed to be written in advance! How can colleagues review concerts of other colleagues’ work (with vested interests) objectively? This smacks of hypocrisy – didn’t...
Letters: Up North! Reviews
Dear EditorWhy does the Dublin-based music media discriminate against Cork musicians? Why did you not review Mark O’Leary’s concert at the Nordic Council music festival?The performance he gave was outstanding, yet it’s Dublin’s third-rate...
Live Reviews: Vox 21
Vox 21Bank of Ireland Arts Centre, Dublin 2, 23rd January 2003Dwyer – Quasi una fantasia Boulez – Dérive I Carroll – Three Chunky Lumps Deane – March oubliée / Catacombs / Seachanges (with Danse Macabre) Mostly Modern...
Live Reviews: Up North!: Festival Overview
There may have been periods when little or nothing seemed to be happening in the contemporary/classical world, but 2002 was not a year for morose contemplation of the difference between nothingness and near-nothingness. Instead, it seemed a year of achievement:...