Opinion
Right now, the world is talking about ‘creative solutions’ for the post-pandemic era, for the climate crisis, and for every other challenge that we face, but, asks Toner Quinn, how committed are we to supporting creativity and creative people?
The basic income for artists was recommended in a government report last November, but since then progress has been sluggish and the ideas need much more scrutiny, writes Aengus Ó Snodaigh TD.
With Covid-19 now reaching endgame, we're about to enter a new situation: a global music marketplace that's grown a whole lot younger and more technological. In order for Ireland to embrace this future, it needs an ambitious new music plan – with record labels at its heart. Gareth Murphy sets out five steps to help transform Ireland's music business.
Music and broadcasting go hand in hand, but RTÉ's leadership role in music has been shrinking in recent years. Toner Quinn suggests four ways to turn the situation around.
What a year 2020 was. When it began, the outlook for the music industry hadn't looked so good in decades. Then came Covid-19, the industrial equivalent of a comet hurtling in from deep space. As we emerge into 2021, it's time for some damage assessment. What exactly has been destroyed? Who has benefitted from lockdowns? What has changed for good? And, asks Gareth Murphy, now that vaccines are arriving, can the music business bounce back even stronger than before, and what do those in the industry need to focus on?
‘Trad Nation’, a new book by fiddle-player and scholar Tes Slominski, questions how ‘Irish’ Irish traditional music is in a postnational music scene, and makes the case for separating the genre from ethnic nationalism. Helen Lawlor reviews.
Why is the public conversation around music important, and how do we make it stronger? Toner Quinn reflects on twenty years of publishing the Journal of Music and the changes that have taken place.
The government’s funding announcement for the arts in Budget 2021 was unprecedented, and there are lessons to be learned from the way in which it came about, writes Toner Quinn.
On the fiftieth anniversary of the passing of the great uilleann piper Leo Rowsome (1903–1970), his daughter Helena Grimes reflects on his legacy and remembers her musical childhood in Dublin.
A new documentary on the history of Irish hip hop explores the views of current artists such as Denise Chaila, Costello, Ophelia, Kojaque and Mango X Mathman. Is the genre becoming an agent of change in Ireland? Andrea Cleary reviews.
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