Crash Hit the Twenties Running Crash Ensemble celebrated 20 years with two nights at the National Concert Hall in November. Adrian Smith reviews all twenty newly commissioned works, from composers Andrew Hamilton, Ann Cleare, Jennifer Walshe, Sean Clancy and many more.
Retelling a Bloody Myth Liam Cagney explores 'Umbilical', composer Benjamin Dwyer's retelling of Oedipus, recently released on Diatribe Records.
Ceding Musical Territories How does a 95-year-old International Society for Contemporary Music shake up its programming? Anna Murray attended the ISCM World New Music Days festival in Vancouver and heard how new ideas can take effect.
Dig it in Galway The Galway Jazz Festival is on an ambitious new path – with over 40 events over 4 days held in October. Toner Quinn attended three sold-out shows at the Mick Lally Theatre.
A Gaelic Night at the Opera Opera could use more moments like this, particularly in Ireland, writes Brendan Finan about the recent performance of Robert O'Dwyer's Irish-language work 'Eithne', but what about the music?
Like a Journey Laura Hyland's Clang Sayne band bring together a subtle range of influences for her song sculptures. Anna Murray attended their recent performance at Little Museum of Dublin – the first in the new season of the Ergodos Santa Rita concert series.
Triple Tradition at the Fleadh Cheoil At the Fleadh Cheoil in Ennis in August, Alan Reid – one of the participants in our Journal of Music/Clare County Music Council Music Writer Mentoring Scheme – attended three concerts of traditional music in one, featuring The Boruma Trio with special guests Eamonn Cotter, Karen Ryan and Pete Quinn.
Day of All Days in Doolin In the latest review from our Journal of Music/Clare County Council Music Writer Mentoring Scheme, Ruth Smith attends the Doolin Folk Festival to hear a powerful set by Lisa Hannigan.
Lankum's New Fire In the latest review from our Journal of Music/Galway City Council Music Writer Mentoring Scheme, Shannon McNamee listens to the skilled, edgy folk sound of Lankum.
Informal Art Gábor Tákacs-Nagy's rapport with orchestra and audience is refreshing, writes Adrian Smith, in a review of the Irish Chamber Orchestra (27 September) performing Elgar, Brahms and the world premiere of Sam Perkin's '365 Variations on a Gesture'.