Picturing Flutes The Music Current festival in Dublin ended with concerts by Lina Andonovska and Richard Craig. James Camien McGuiggan reviews.
Finding Freedom Irish National Opera's production of Beethoven's 'Fidelio', which ran at the Gaiety Theatre in Dublin last week, questioned ideas of liberty, state power and democracy. Brendan Finan reviews.
Imagination Runs Wild Irish National Opera have just released a film version online of Gerald Barry's anarchic opera 'Alice’s Adventures Under Ground', with Claudia Boyle as Alice. Adrian Smith reviews.
Through the Lens Composer Ian Wilson's new album 'Echoes and Shadows', which focuses on works for violins, was released recently on Farpoint Records. Brendan Finan reviews.
Northern Perspective on New Music Hard Rain SoloistEnsemble from Northern Ireland have recently released their debut album, 'A Terrible Beauty' – a double-CD of 12 compositions. Mark Fitzgerald reviews.
Radio Experimental Celebrating five years of broadcasting, Dublin Digital Radio hosted its first festival of experimental music and sound last week (27–31 October). Anna Murray reviews.
A Critical Moment for Choral Singing Many choirs have not been able to function meaningfully since the pandemic began, but as they start to meet again now is the time to refresh and reflect on their aims, writes Geoffrey Spratt.
David Keenan's Sense of Place Over the last decade, a number of remarkable artists have emerged from the music scene in Dundalk, David Keenan key among them. This month, he released his poetic second album, "What Then?". But what is it about this border town that generated a different type of music scene, and why now? Shannon McNamee writes about her home county and Keenan's unique voice.
Hear Him Out Composer Dave Flynn has recently released an album of string quartet and chamber works, 'Irish Minimalism', which combines traditional Irish and contemporary music. James Camien McGuiggan reviews.
The Weight That Cultural Spaces Hold The latest release from Ergodos is a collection of duets recorded by Ross Turner in the off-stage spaces of the National Concert Hall. Andrea Cleary reviews.