Toner Quinn is Editor of the Journal of Music.
Toner Quinn
RTÉ has just published its document 'A New Direction for RTÉ', but where is the renewed vision for music, asks Toner Quinn.
The great Sinéad O'Connor has left Ireland with a lot to think about with regard to how we deal with dissent, writes Toner Quinn.
RTÉ is immersed in a crisis that has long-term implications for the broadcaster, but what will the consequences be for music, asks Toner Quinn.
TG4 recently broadcast 'Bláth na hÓige', a seven-part series focusing on the emerging generation of sean-nós singers, and the music has just been released on the Gael Linn label. Toner Quinn reviews.
A tribute to the Irish fiddle player Seán Keane who died on 7 May.
A lot has been achieved in Irish traditional music over the past several decades, but what happens next? What are the challenges for this music, and how can the traditional music community work together to create an even better future? Below is the edited text of a talk given by Toner Quinn, Editor of the Journal of Music, on 24 November 2022 as part of Na Píobairí Uilleann’s 'Notes & Narratives' lecture series.
The sponsorship by Flogas of the Galway International Arts Festival raises a number of questions about what is appropriate sponsorship for the arts, writes Toner Quinn.
Music for Galway recently presented the world premiere of Gerald Barry's 'Cello Concerto' and the Irish premiere of Julia Wolfe's 'Wind in My Hair'. Toner Quinn reviews.
RTÉ Raidió na Gaeltachta celebrates 50 years this month, but however great its achievements and its positive impact on traditional music and song, Irish-language media cannot stand still, writes Toner Quinn.
RTÉ recently broadcast a new documentary on the Irish folk revival, titled 'The Flourishing'. Toner Quinn reviews.
The latest restrictions on live music events leave many unanswered questions, writes Toner Quinn.
The new Beatles documentary 'Get Back' gives an incredible insight into the band's creative process, and provides an important lesson for our society today, writes Toner Quinn.
The fiddle-player Martin Hayes has recently published a memoir of his life in music, 'Shared Notes: A Musical Journey'. Toner Quinn reviews.
On 25 September, the National Concert Hall, the Arts Council and RTÉ presented two tribute concerts to mark the fiftieth anniversary of Seán Ó Riada's death. Toner Quinn reviews.
The new report on the night-time economy has 36 recommendations, but it has an unfortunate blindspot, writes Toner Quinn.
The return of live music to the Lime Tree Theatre in Limerick featured Iarla Ó Lionáird, Úna Monaghan and Kevin Murphy on a Music Network tour. Toner Quinn reviews.
Unless music is coated in nationalistic terms it will struggle, writes Toner Quinn.
The restrictions on live music are frustrating and perplexing for musicians and they point to larger issues, writes Toner Quinn.
When it comes to reopening the live music sector, we have fallen for the classic Irish mistake: dreaming, but not taking practical steps, writes Toner Quinn.
The writer Desmond Fennell, who died this week, had clear ideas about the role of new thinking and debate in society. They are relevant to Irish music today, writes Toner Quinn.
Now in its seventh edition, the latest 'Tradition Now' festival took place at the National Concert Hall on 19–20 June, but it is still not clear what this event is trying to achieve, writes Toner Quinn.
Right now, the world is talking about ‘creative solutions’ for the post-pandemic era, for the climate crisis, and for every other challenge that we face, but we need to get clear about what creativity means, writes Toner Quinn.
Music and broadcasting go hand in hand, but RTÉ's leadership role in music has been shrinking in recent years. Toner Quinn suggests four ways to turn the situation around.
Martin Hayes’ livestreamed concert from the National Concert Hall last week (8 December) gave an insight into the changing music of the fiddle-player, and revealed new collaborative directions. Toner Quinn reviews.
The latest release from the traditional music label Raelach Records is its very first compilation album, featuring Noel Hill, Aoife Ní Bhriain, Pádraic Keane and Nell Ní Chróinín. Toner Quinn reviews.
Why is the public conversation around music important, and how do we make it stronger? Toner Quinn reflects on twenty years of publishing the Journal of Music and the changes that have taken place.
The government’s funding announcement for the arts in Budget 2021 was unprecedented, and there are lessons to be learned from the way in which it came about, writes Toner Quinn.
Toner Quinn reviews two new works, 'Óró', which brought together artists from around Europe and took place in the Conamara Gaeltacht, and Jennifer Walshe’s live-streamed premiere, 'Ireland: A Dataset'.
John Hume's views on the role of artists in a conflict are worth considering today, writes Toner Quinn.
The experience of one village in the west of Ireland shows that the new Minister for Arts faces a serious challenge, to change the way we think about culture and its role in our society, writes Toner Quinn.
- 1 of 7
- ››