James Camien McGuiggan holds a PhD in the philosophy of art from the University of Southampton. Prior to this, he studied music in Maynooth University. He is currently an independent scholar, with interests in the philosophy of music and R. G. Collingwood.
Axel Klein, who has written a number of works on Irish classical music, has recently published a voluminous biography of the almost totally unknown Irish-American, Paris-resident composer Swan Hennessy. Is his music worth reviving? James Camien McGuiggan reviews.
Flute-player Lina Andonovska's much-anticipated debut album 'A Way a Lone a Last' features five new works by Barry O'Halpin, Nick Roth, Donnacha Dennehy and Judith Ring. James Camien McGuiggan reviews.
A recent book on the life and work of the Irish composer Ina Boyle suggests an oeuvre worth uncovering. James Camien McGuiggan explores the arguments.
American composer Missy Mazzoli's 'Breaking the Waves' received its European premiere at the Edinburgh International Festival in August. James Camien McGuiggan reviews.
The Feakle Festival in County Clare featured a range of traditional music acts, from the Martin Hayes Quartet to Cormac Begley and Steve Cooney. James Camien McGuiggan reviews two of the weekend concerts.
Rhiannon Giddens and Francesco Turrisi's opening concert from their current Irish tour had a leitmotif of displacement, writes James Camien McGuiggan, as well as political moments.
The Saturday night double-header at the Spike cello festival featured traditional musicians Liam O’Connor and Cormac Begley with Cello Ireland, and free improviser Ernst Reijseger – a night that went from Irish slow airs to musical comedy. James Camien McGuiggan reviews.
The Huddersfield Contemporary Music Festival is gradually transforming our concept of the new music event, writes James Camien McGuiggan, addressing the disconnect from the rest of musical life – this year's 10-day festival showed we are beginning to see the rewards.
Roger Scruton's new book 'Music as an Art' is generous and insightful when it comes to some musics, but those moments are far too rare, writes James Camien McGuiggan.