Axel Klein, who has written a number of works on Irish classical music, has recently published a voluminous biography of the almost totally unknown Irish-American, Paris-resident composer Swan Hennessy. Is his music worth reviving? James Camien McGuiggan reviews.
A recently published book by Laura Watson on the French composer Paul Dukas is the first full-length academic study of the artist in English and explores his range of music and his music criticism. Brendan Finan reviews.
Senior producer and manager of Lyric FM record label leaves station for university role.
In a recently published memoir, 'The Manager's Tale: New Irish Chamber Orchestra – 1970–1980', Lindsay Armstrong tells the story of the intrepid group he co-founded and managed. Lucy Hayward reviews.
The COVID-19 pandemic means we are going to witness another radical shift in music in the digital age, writes Toner Quinn.
If artists and musicians are ever going to solve their perennial financial issues then it is time for a different approach, writes Toner Quinn.
‘People want to break down boundaries’: An interview with Nick Roth and Matthew Jacobson of Diatribe Records
The Irish record label Diatribe is hosting a stage for five concerts and releasing seven albums during the forthcoming New Music Dublin festival. Directors and musicians Nick Roth and Matthew Jacobson spoke to the Journal of Music about their ideas behind the label, their catalogue of over 30 recordings to date, and the contemporary music and improv scene that they have been documenting.
The creator of Other Voices spoke to the Journal of Music about the ideas behind the programme and about the role music can play in society.
Christy Dignam of Aslan has recently published a new memoir that tells of his epic private struggle with drugs as well the story of the band's evolution from local heroes to fixtures of the Irish musical establishment. Laura Watson reviews.
A memoir and diary belonging to the composer Brian Boydell (1917–2000) have recently been published in a book titled 'Rebellious Ferment', focusing in particular on his life and work in the 1940s and 50s. Mark Fitzgerald reviews.