‘I wanted them all to be a contribution to the Scottish traditional music canon’: An interview with fiddle-player Aidan O’Rourke
Scottish fiddle-player Aidan O’Rourke, a member of the groundbreaking band Lau, has just released his fifth solo album, '365: Volume 2', part of a huge volume of compositions written in response to stories by James Robertson. O’Rourke spoke to the Journal of Music about his music and composing and how his latest project is about ‘coming back to traditional music’.
The achievements of Ireland's composers abroad are not getting enough attention at home.
Cork Midsummer Festival on 19–22 June featured an ambitious new work by composer Karen Power featuring vocalists Ute Wassermann and Michelle O’Rourke, the Quiet Music Ensemble and a specially formed sound choir. Don O'Mahony reviews.
Other Voices took place in Belfast at the weekend, accompanied by a number of discussions on borders, cultural breakthroughs and the redemptive power of music, writes Toner Quinn.
Next week at the Cork Midsummer Festival, Sō Percussion will give the European premiere of Donnacha Dennehy’s ‘Broken Unison’, a co-commission between Carnegie Hall and Cork Opera House. The Journal of Music spoke to the Irish composer, who now lives in the States, about his music, his life in America and what drives his work.
The great traditional Irish fiddle-player and composer Paddy Fahey died at the weekend. The Journal of Music spoke to musicians Martin Hayes, Liz Kane and Breda and Claire Keville about his music and legacy.
The EU’s 'Work Plan for Culture 2019–22' is likely to shape support for the arts and music in the coming years, but what does it contain?
Anna Mieke has just released her first album, Idle Mind. She spoke to the Journal of Music about a collection of songs that grew through travel and her studies at UCC.
‘There’s an infrastructure that hasn’t been built overnight’: An interview with Benedict Schlepper-Connolly and Garrett Sholdice of Ergodos
The Irish label Ergodos, run by Benedict Schlepper-Connolly and Garrett Sholdice, has just released its 30th recording, an album by the Ficino Ensemble featuring works by Brahms, Ravel and Sholdice. The two label founders spoke to the Journal of Music about growing Ergodos over the past 13 years, the role of a label in the modern musical ecosystem, and the arts infrastructure that is frustrating its development.
How can we ensure that we have the infrastructure to support all Irish music into the future? Why have we not achieved this already? In an essay written to mark the twentieth anniversary of the music and arts station RTÉ Lyric FM, Toner Quinn, Editor of the Journal of Music, asks the question: what is holding us back?