A new documentary explores the extraordinary story of David Gray and Ireland in the 1990s, the making of 'White Ladder', and how it became Ireland's best-selling album of all time, but is the story as simple as it seems? Toner Quinn reviews.
If we are going to tackle racism, we need to improve our conversations about culture, writes Toner Quinn.
The government's 'Ireland Performs' series, which was partly funded by Facebook, put already under pressure artists in an unacceptable position. We have got to think hard about the way we support music into the future, writes Toner Quinn.
Axel Klein, who has written a number of works on Irish classical music, has recently published a voluminous biography of the almost totally unknown Irish-American, Paris-resident composer Swan Hennessy. Is his music worth reviving? James Camien McGuiggan reviews.
A recently published book by Laura Watson on the French composer Paul Dukas is the first full-length academic study of the artist in English and explores his range of music and his music criticism. Brendan Finan reviews.
Senior producer and manager of Lyric FM record label leaves station for university role.
In a recently published memoir, 'The Manager's Tale: New Irish Chamber Orchestra – 1970–1980', Lindsay Armstrong tells the story of the intrepid group he co-founded and managed. Lucy Hayward reviews.
The COVID-19 pandemic means we are going to witness another radical shift in music in the digital age, writes Toner Quinn.
If artists and musicians are ever going to solve their perennial financial issues then it is time for a different approach, writes Toner Quinn.
‘People want to break down boundaries’: An interview with Nick Roth and Matthew Jacobson of Diatribe Records
The Irish record label Diatribe is hosting a stage for five concerts and releasing seven albums during the forthcoming New Music Dublin festival. Directors and musicians Nick Roth and Matthew Jacobson spoke to the Journal of Music about their ideas behind the label, their catalogue of over 30 recordings to date, and the contemporary music and improv scene that they have been documenting.