Exploring Musical Life in Ireland in the 1700s Irish Baroque Orchestra's latest release 'The Trials of Tenducci', featuring Tara Erraught, uncovers a number of works with connections to music in Ireland in the eighteenth-century. Brendan Finan reviews.
Bringing All the Ideas Together Flute-player Fintan Vallely has recently released 'Merrijig Creek', a solo album of newly composed tunes. Kevin McCullagh reviews.
Diverse Responses to the Earth and Sea Navona Records have recently released a live album of works for orchestra and large ensemble by Peter Dickson Lopez, Corrina Bonshek and Jane O'Leary. Mark Fitzgerald reviews.
How to Transform Ireland’s Music Business With Covid-19 now reaching endgame, we're about to enter a new situation: a global music marketplace that's grown a whole lot younger and more technological. In order for Ireland to embrace this future, it needs an ambitious new music plan – with record labels at its heart. Gareth Murphy sets out five steps to help transform Ireland's music business.
A Series of Discoveries in Tipperary Finding a Voice, the Clonmel, Co. Tipperary, concert series celebrating the music of women composers from the 12th century to present day, took place online from 5 to 8 March. Anna Murray reviews.
A Society Rallying After the Silence Louth Contemporary Music Society's new album features chamber works by Ukrainian composer Valentin Silvestrov and Raymond Deane. Brendan Finan reviews.
A New Sense of Play Wyvern Lingo's second album 'Awake You Lie' was released last week. Andrea Cleary reviews.
Our Predicament in Sharp Focus Composer Nick Roth's new work 'Crann' is a poem setting and film work for three voices, tree, vessel and currach, commissioned by the literary festival IMRAM. Adrian Smith reviews.
Traumas on the Table Singer-songwriter Anna B Savage has recently released her debut album 'A Common Turn'. Andrea Cleary reviews.
Startling Voice in an Expanded Soundworld Snowpoet – the London-based duo of Lauren Kinsella and Chris Hyson – release their third album 'Wait For Me' tomorrow. Anna Murray reviews.